{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://nphm.aviaryplatform.com/iiif/v97zk57q99/manifest","type":"Manifest","label":{"en":["Davis, Grandma Alice"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/548/original/OHA_Mark_2.0_Transp._copy.png?1752767076","metadata":[{"label":{"en":["Narrator(s)"]},"value":{"en":["Alice Jean Davis (Full Name)"]}},{"label":{"en":["Refer to as"]},"value":{"en":["Grandma Alice"]}},{"label":{"en":["Narrator Pronouns"]},"value":{"en":["she/her"]}},{"label":{"en":["Interview Summary"]},"value":{"en":["\u003cp\u003e In this oral history, Alice Davis talks about the many homes she has come to know and grow out of with her granddaughter Destiny Brady. Davis uncovers hidden family ties to famous gospel singers and not so hidden ties to a legacy of over parentification and a vow to motherhood made too soon. The two share laughs and tears and moments of silence, as Alice transports us through her 70 year journey through Chicago's less than imaginative housing.\u003c/p\u003e (summary)"]}},{"label":{"en":["Public Housing Affiliation"]},"value":{"en":["Current Resident"]}},{"label":{"en":["Public Housing Locations"]},"value":{"en":["North Lawndale (Scattered Sites)"]}},{"label":{"en":["Content Warnings"]},"value":{"en":["Death","Domestic Violence","Physical Violence","Sexual Violence","Childhood Trauma","Misogyny"]}},{"label":{"en":["Themes/Topics"]},"value":{"en":["Community Building/Support/Mutual Aid","Family","The South"]}},{"label":{"en":["Keywords"]},"value":{"en":["Black woman","mother","lousy father","parents","children","moving","the \"L\"","teen motherhood","over-parentification"]}},{"label":{"en":["Decades Covered"]},"value":{"en":["1950s","1960s","1970s","1980s","1990s","2000s"]}},{"label":{"en":["Life Dates"]},"value":{"en":["1952-08-09 (Birth)"]}},{"label":{"en":["Race/Ethnicity"]},"value":{"en":["Black, African American, and/or African Diasporic"]}},{"label":{"en":["Biographical Context"]},"value":{"en":["\u003cp\u003eWhere do you now call home?\u003c/p\u003e\r\n\u003cp\u003e4715 W Van Buren, West Garfield Park\u003c/p\u003e\r\n\u003cp\u003e\u003cbr\u003eShare one of your dreams, literal or figurative.\u003c/p\u003e\r\n\u003cp\u003eTo spread the word and the love of Jesus to my family while I’m still here\u003c/p\u003e"]}},{"label":{"en":["Interview materials available"]},"value":{"en":["Audio—.wav","Transcript—polished PDF","Finding aid—polished PDF"]}},{"label":{"en":["Oral Historians"]},"value":{"en":["Destiny Brady (Interviewer)","Destiny Brady (Post-Production by)"]}},{"label":{"en":["Interview Date"]},"value":{"en":["2024-06-08 (Recorded)"]}},{"label":{"en":["Method of Interview"]},"value":{"en":["in-person"]}},{"label":{"en":["Recording Location(s)"]},"value":{"en":["Chicago, IL (Both)"]}},{"label":{"en":["Audio Quality Notes"]},"value":{"en":["Good. Occasional phone ringing and interruptions."]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eEach oral history interview is considered to be co-created, ‘joint work’ among the oral historian, narrator, and, in this case, the Museum. In joint works, the creators are considered joint copyright owners, who have “an equal right to register and enforce the copyright” (Rich Stim, Stanford Libraries, “Copyright Ownership: Who Owns What?”). Standard copyright law grants a number of exclusive rights to each of the copyright owners, including: the rights toreproduce, distribute, adapt, perform, and displaythe work(s), privately and publicly. NPHM manages these components using Creative Commons Licenses. All interviews are shared withAttribution and Non-Commercial 4.0 International licenses (CC BY-NC 4.0 Deed), meaning that they can be reproduced, distributed, performed, and displayed for the general public if the user credits the co-creators (Attribution) and does not make money from the usage (Non-Commercial). \u003c/p\u003e\r\n\u003cp\u003ePlease contact the NPHM Oral History Programs Manager if you'd like to download a copy of any of the interview materials (audio file, transcript, or finding aid contents).\u003c/p\u003e"]}},{"label":{"en":["Preferred Citation"]},"value":{"en":["\u003cp\u003eWhen using an interview from the NPHM Oral History Archive, use the narrator's full name the first time you reference them. Use the narrator's \"Refer to As\" name in additional mentions of their name. \u003c/p\u003e\r\n\u003cp\u003e \u003c/p\u003e\r\n\u003cp\u003ePlease use the following formatting when citing the interview in academic settings:\u003c/p\u003e\r\n\u003cp\u003eBibliography Example\u003c/p\u003e\r\n\u003cp\u003ePegues, Janetta Sue. Interviewed by Francesco De Salvatore. National Public Housing Museum Oral History Archive, [insert URL/DOI], recorded June 18, 2018, accessed June 2, 2024: pp. 10-15.\u003c/p\u003e\r\n\u003cp\u003eBibliography Format\u003c/p\u003e\r\n\u003cp\u003e[NarratorFullName in Last First Middle order]. Interviewed by [InterviewerFullName in First Middle Last Order]. National Public Housing Museum Oral History Archive, [insert URL], recorded [write out full date of interview], accessed [write out full date of most recent access]: pp. [pages of transcript cited]. \u003c/p\u003e\r\n\u003cp\u003eFootnote Example\u003c/p\u003e\r\n\u003cp\u003eJanetta Sue Pegues, interviewed by Francesco De Salvatore, National Public Housing Museum Oral History Archive, [insert URL], recorded June 18, 2018, accessed June 2, 2024: pp. 10-15. \u003c/p\u003e\r\n\u003cp\u003eFootnote Form\u003c/p\u003e\r\n\u003cp\u003e[NarratorFullName in First Middle Last Order], interviewed by [InterviewerFullName in First Middle Last Order] National Public Housing Museum Oral History Archive, [insert URL], recorded [write out full date of interview], accessed [write out full date of most recent access]: pp. [pages of transcript cited]. \u003c/p\u003e"]}}],"summary":{"en":["\u003cp\u003e\u0026nbsp;In this oral history, Alice Davis talks about the many homes she has come to know and grow out of with her granddaughter Destiny Brady. Davis uncovers hidden family ties to famous gospel singers and not so hidden ties to a legacy of over parentification and a vow to motherhood made too soon. The two share laughs and tears and moments of silence, as Alice transports us through her 70 year journey through Chicago's less than imaginative housing.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eEach oral history interview is considered to be co-created, \u0026lsquo;joint work\u0026rsquo; among the oral historian, narrator, and, in this case, the Museum. In joint works, the creators are considered joint copyright owners, who have \u0026ldquo;an equal right to register and enforce the copyright\u0026rdquo; (Rich Stim, Stanford Libraries, \u0026ldquo;Copyright Ownership: Who Owns What?\u0026rdquo;). Standard copyright law grants a number of exclusive rights to each of the copyright owners, including: the rights toreproduce, distribute, adapt, perform, and displaythe work(s), privately and publicly. NPHM manages these components using Creative Commons Licenses. All interviews are shared withAttribution and Non-Commercial 4.0 International licenses (CC BY-NC 4.0 Deed), meaning that they can be reproduced, distributed, performed, and displayed for the general public if the user credits the co-creators (Attribution) and does not make money from the usage (Non-Commercial).\u0026nbsp;\u003c/p\u003e\r\n\u003cp\u003ePlease contact the NPHM Oral History Programs Manager if you'd like to download a copy of any of the interview materials (audio file, transcript, or finding aid contents).\u003c/p\u003e"]}},"provider":[{"id":"https://nphm.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["National Public Housing Museum"]},"homepage":[{"id":"https://nphm.aviaryplatform.com/","type":"Text","label":{"en":["National Public Housing Museum"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/548/original/OHA_Mark_2.0_Transp._copy.png?1752767076","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/306/815/small/Alice_Davis.png?1774631493","type":"Image","format":"image/png"}],"items":[{"id":"https://nphm.aviaryplatform.com/collections/2733/collection_resources/162381/file/306815","type":"Canvas","label":{"en":["Media File 1 of 1 - Davis__Alice_Interview_Combined_2024.06.08.wav"]},"duration":7319.83499,"width":640,"height":40,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/306/815/small/Alice_Davis.png?1774631493","type":"Image","format":"image/png"}],"items":[{"id":"https://nphm.aviaryplatform.com/collections/2733/collection_resources/162381/file/306815/content/1","type":"AnnotationPage","items":[{"id":"https://nphm.aviaryplatform.com/collections/2733/collection_resources/162381/file/306815/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-nphm.s3.wasabisys.com/collection_resource_files/resource_files/000/306/815/original/Davis__Alice_Interview_Combined_2024.06.08.wav?1774630983","type":"Audio","format":"audio/wav","duration":7319.83499,"width":640,"height":40},"target":"https://nphm.aviaryplatform.com/collections/2733/collection_resources/162381/file/306815","metadata":[]}]}],"annotations":[]}]}