{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://nphm.aviaryplatform.com/iiif/j09w08xz5h/manifest","type":"Manifest","label":{"en":["Ros, Sokeo"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/548/original/OHA_Mark_2.0_Transp._copy.png?1752767076","metadata":[{"label":{"en":["Narrator(s)"]},"value":{"en":["Sokeo Ros (Full Name)"]}},{"label":{"en":["Narrator Pronouns"]},"value":{"en":["he/him"]}},{"label":{"en":["Interview Summary"]},"value":{"en":["\u003cp\u003eSokeo Ros shares his early experience escaping from genocide from his motherland of Cambodia. He along with his family fled to a Thai refugee camp. After moving a few times, Sokeo describes moving into a traumatizing neighborhood prior to going to a performing arts school that led to his lifelong love of the arts and future career in performing arts.\u003c/p\u003e (summary)"]}},{"label":{"en":["Public Housing Affiliation"]},"value":{"en":["Former Resident"]}},{"label":{"en":["Public Housing Locations"]},"value":{"en":["Subsidized Housing"]}},{"label":{"en":["Content Warnings"]},"value":{"en":["Gangs","War and/or Genocide and/or Ethnic Cleansing","Childhood Trauma","Demolition and/or Displacement"]}},{"label":{"en":["Themes/Topics"]},"value":{"en":["Education","Identity","Religion and/or Spirituality","Creative Practices/Outlets"]}},{"label":{"en":["Keywords"]},"value":{"en":["public assistance","Tupac Shakur","James Baldwin","culture","history","hip-hop","diversity","jail","migration","college unbound"]}},{"label":{"en":["Decades Covered"]},"value":{"en":["1980s"]}},{"label":{"en":["Life Dates"]},"value":{"en":["1980 (Birth)"]}},{"label":{"en":["Race/Ethnicity"]},"value":{"en":["Asian, Asian American, and/or Asian Diasporic (incl. South/west Asian and Pacific Islander)"]}},{"label":{"en":["Additional Identities"]},"value":{"en":["Trinidadian","Muslim","Cambodian"]}},{"label":{"en":["Biographical Context"]},"value":{"en":["\u003cp\u003eWhere do you now call home? Cranston, Rhode Island. I finally have a single-family house, after living in an apartment my whole life.\u003cbr\u003eWhat does home smell, sound, feel, taste, and/or look like to you? Home is a place of peace. It also has to be a place that has a creative energy that allows me, and my family, to continue to create my art but allows us all to be who we are. It smells like calming candles and homemade food with a hint of our essence.\u003cbr\u003eWhat are your gifts or areas of wisdom \u0026amp; expertise? Continue to create. Discover everything, question everything, and create with the community in mind.\u003cbr\u003eShare one of your dreams, literal or figurative. Is to live a life where people are allowed to be who they are authentically and continue to create art collaboratively for the greater good of the people.\u003c/p\u003e"]}},{"label":{"en":["Interview materials available"]},"value":{"en":["Audio—.wav","Transcript—in Aviary time-sync","Index (in Aviary time-sync)","Transcript—polished PDF","Finding aid—rough PDF"]}},{"label":{"en":["Oral Historians"]},"value":{"en":["Shakira Johnson (Interviewer)","Nedra Deadwyler (Post-Production by)","Shakira Johnson (Post-Production by)"]}},{"label":{"en":["Interview Date"]},"value":{"en":["2021-15-01 (Recorded)"]}},{"label":{"en":["Method of Interview"]},"value":{"en":["remote"]}},{"label":{"en":["Recording Location(s)"]},"value":{"en":["Chicago, IL (Interviewer)","Providence, Rhode Island (Narrator)"]}},{"label":{"en":["Audio Quality Notes"]},"value":{"en":["Audio is of good sound quality."]}},{"label":{"en":["Additional Notes"]},"value":{"en":["Photo by Paul Bloomfield."]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eEach oral history interview is considered to be co-created, ‘joint work’ among the oral historian, narrator, and, in this case, the Museum. In joint works, the creators are considered joint copyright owners, who have “an equal right to register and enforce the copyright” (Rich Stim, Stanford Libraries, “Copyright Ownership: Who Owns What?”). Standard copyright law grants a number of exclusive rights to each of the copyright owners, including: the rights toreproduce, distribute, adapt, perform, and displaythe work(s), privately and publicly. NPHM manages these components using Creative Commons Licenses. All interviews are shared withAttribution and Non-Commercial 4.0 International licenses (CC BY-NC 4.0 Deed), meaning that they can be reproduced, distributed, performed, and displayed for the general public if the user credits the co-creators (Attribution) and does not make money from the usage (Non-Commercial). \u003c/p\u003e\r\n\u003cp\u003e \u003c/p\u003e\r\n\u003cp\u003ePlease contact the NPHM Oral History Programs Manager if you'd like to download a copy of any of the interview materials (audio file, transcript, or finding aid contents).\u003c/p\u003e"]}},{"label":{"en":["Preferred Citation"]},"value":{"en":["\u003cp\u003eWhen using an interview from the NPHM Oral History Archive, use the narrator's full name the first time you reference them. Use the narrator's \"Refer to As\" name in additional mentions of their name. \u003c/p\u003e\r\n\u003cp\u003e \u003c/p\u003e\r\n\u003cp\u003ePlease use the following formatting when citing the interview in academic settings:\u003c/p\u003e\r\n\u003cp\u003eBibliography Example\u003c/p\u003e\r\n\u003cp\u003ePegues, Janetta Sue. Interviewed by Francesco De Salvatore. National Public Housing Museum Oral History Archive, [insert URL/DOI], recorded June 18, 2018, accessed June 2, 2024: pp. 10-15.\u003c/p\u003e\r\n\u003cp\u003eBibliography Format\u003c/p\u003e\r\n\u003cp\u003e[NarratorFullName in Last First Middle order]. Interviewed by [InterviewerFullName in First Middle Last Order]. National Public Housing Museum Oral History Archive, [insert URL], recorded [write out full date of interview], accessed [write out full date of most recent access]: pp. [pages of transcript cited]. \u003c/p\u003e\r\n\u003cp\u003eFootnote Example\u003c/p\u003e\r\n\u003cp\u003eJanetta Sue Pegues, interviewed by Francesco De Salvatore, National Public Housing Museum Oral History Archive, [insert URL], recorded June 18, 2018, accessed June 2, 2024: pp. 10-15. \u003c/p\u003e\r\n\u003cp\u003eFootnote Form\u003c/p\u003e\r\n\u003cp\u003e[NarratorFullName in First Middle Last Order], interviewed by [InterviewerFullName in First Middle Last Order] National Public Housing Museum Oral History Archive, [insert URL], recorded [write out full date of interview], accessed [write out full date of most recent access]: pp. [pages of transcript cited]. \u003c/p\u003e"]}}],"summary":{"en":["\u003cp\u003eSokeo Ros shares his early experience escaping from genocide from his motherland of Cambodia. He along with his family fled to a Thai refugee camp. After moving a few times, Sokeo describes moving into a traumatizing neighborhood prior to going to a performing arts school that led to his lifelong love of the arts and future career in performing arts.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eEach oral history interview is considered to be co-created, \u0026lsquo;joint work\u0026rsquo; among the oral historian, narrator, and, in this case, the Museum. In joint works, the creators are considered joint copyright owners, who have \u0026ldquo;an equal right to register and enforce the copyright\u0026rdquo; (Rich Stim, Stanford Libraries, \u0026ldquo;Copyright Ownership: Who Owns What?\u0026rdquo;). Standard copyright law grants a number of exclusive rights to each of the copyright owners, including: the rights toreproduce, distribute, adapt, perform, and displaythe work(s), privately and publicly. NPHM manages these components using Creative Commons Licenses. All interviews are shared withAttribution and Non-Commercial 4.0 International licenses (CC BY-NC 4.0 Deed), meaning that they can be reproduced, distributed, performed, and displayed for the general public if the user credits the co-creators (Attribution) and does not make money from the usage (Non-Commercial).\u0026nbsp;\u003c/p\u003e\r\n\u003cp\u003e\u0026nbsp;\u003c/p\u003e\r\n\u003cp\u003ePlease contact the NPHM Oral History Programs Manager if you'd like to download a copy of any of the interview materials (audio file, transcript, or finding aid contents).\u003c/p\u003e"]}},"provider":[{"id":"https://nphm.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["National Public Housing Museum"]},"homepage":[{"id":"https://nphm.aviaryplatform.com/","type":"Text","label":{"en":["National Public Housing Museum"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/548/original/OHA_Mark_2.0_Transp._copy.png?1752767076","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/242/845/small/Sokeo_Ros_Image.JPG?1750725723","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://nphm.aviaryplatform.com/collections/2733/collection_resources/129693/file/242845","type":"Canvas","label":{"en":["Media File 1 of 1 - Copy_of_Ros__Sokeo_Interview_Audio_2021.01.15.wav"]},"duration":2005.246,"width":640,"height":40,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/242/845/small/Sokeo_Ros_Image.JPG?1750725723","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://nphm.aviaryplatform.com/collections/2733/collection_resources/129693/file/242845/content/1","type":"AnnotationPage","items":[{"id":"https://nphm.aviaryplatform.com/collections/2733/collection_resources/129693/file/242845/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-nphm.s3.wasabisys.com/collection_resource_files/resource_files/000/242/845/original/Copy_of_Ros__Sokeo_Interview_Audio_2021.01.15.wav?1718768202","type":"Audio","format":"audio/wav","duration":2005.246,"width":640,"height":40},"target":"https://nphm.aviaryplatform.com/collections/2733/collection_resources/129693/file/242845","metadata":[]}]}],"annotations":[]}]}