{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://nphm.aviaryplatform.com/iiif/hq3rv0g253/manifest","type":"Manifest","label":{"en":["Thompson, Liz"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/548/original/OHA_Mark_2.0_Transp._copy.png?1752767076","metadata":[{"label":{"en":["Narrator(s)"]},"value":{"en":["Liz Thompson (Full Name)"]}},{"label":{"en":["Refer to as"]},"value":{"en":["Liz"]}},{"label":{"en":["Narrator Pronouns"]},"value":{"en":["she/her"]}},{"label":{"en":["Interview Summary"]},"value":{"en":["\u003cp\u003e In this oral history, Liz recalls her experience growing up in the Cabrini Green row houses with what she calls a “Brady Bunch” type family, consisting of five siblings and her two parents. She recalls a plethora of positive experiences, including tennis tournaments with her best friend and her burgeoning love for music through family and joining band. In awe of her mother’s beauty and smarts, Liz decides to become the smartest in the room, diving deeply into her education and fostering relationships with her teachers who help her see the world through a larger lens. Liz puts emphasis on how living in public housing played the biggest role in her successes today, naming her \u0026amp; her husband’s business after the street they grew up on.\u003c/p\u003e (summary)"]}},{"label":{"en":["Public Housing Affiliation"]},"value":{"en":["Former Resident"]}},{"label":{"en":["Public Housing Locations"]},"value":{"en":["Cabrini-Green Homes"]}},{"label":{"en":["Content Warnings"]},"value":{"en":["Demolition and/or Displacement"]}},{"label":{"en":["Themes/Topics"]},"value":{"en":["Career","Community (Overarching)","Creative Practices/Outlets","Displacement","Education","Entrepreneurship","Family","Identity","Mentorship and/or Role Models","Music","Neighborhood Changes (incl. Urban Renewal \u0026amp; Gentrification)","Play/Sports/Recreation","Positive Experiences in Public Housing"]}},{"label":{"en":["Decades Covered"]},"value":{"en":["1960s","1970s","1980s","1990s","2000s","2010s"]}},{"label":{"en":["Life Dates"]},"value":{"en":["1963 (Birth)"]}},{"label":{"en":["Race/Ethnicity"]},"value":{"en":["Black, African American, and/or African Diasporic"]}},{"label":{"en":["Interview materials available"]},"value":{"en":["Audio—.mp3","Transcript—rough PDF","Finding aid—rough PDF"]}},{"label":{"en":["Oral Historians"]},"value":{"en":["LIsa Yun Lee (Interviewer)","cosmo (Post-Production by)"]}},{"label":{"en":["Interview Date"]},"value":{"en":["2017-05-02 (Recorded)"]}},{"label":{"en":["Method of Interview"]},"value":{"en":["in-person"]}},{"label":{"en":["Recording Location(s)"]},"value":{"en":["Chicago, IL (Both)"]}},{"label":{"en":["Language"]},"value":{"en":["english (primary)"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["\u003cp\u003eEach oral history interview is considered to be co-created, ‘joint work’ among the oral historian, narrator, and, in this case, the National Public Housing Museum.\u003c/p\u003e\r\n\u003cp\u003eNPHM manages the components of copyright (reproduction, distribution, adaption, performance, and display) using Creative Commons Licenses. Most interviews are shared with Attribution and Non-Commercial 4.0 International licenses (CC BY-NC 4.0 Deed), meaning that they can be reproduced, distributed, performed, and displayed for the general public IF the user:\u003c/p\u003e\r\n\u003cp\u003eCredits the co-creators (Attribution), and\u003cbr\u003eDoes not make money from the usage (Non-Commercial). \u003cbr\u003eNarrators also have the option to apply a No-Derivatives License to their interview(s), meaning that the public is forbidden from adapting the work. These works are published under an Attribution-NonCommercial-NoDerivs 4.0 International license (CC BY-NC-ND 4.0 Deed).\u003c/p\u003e\r\n\u003cp\u003ePlease contact the NPHM Oral History Programs Manager if you are interested in downloading a copy of any of the interview materials (audio file, transcript, or finding aid contents).\u003c/p\u003e\r\n\u003cp\u003eNote that the final decision about whether to share downloadable copies and whether to allow usage remains with the narrator. \u003c/p\u003e"]}},{"label":{"en":["Preferred Citation"]},"value":{"en":["\u003cp\u003eWhen using an interview from the NPHM Oral History Archive, use the narrator's full name the first time you reference them. Use the narrator's \"Refer to As\" name in additional mentions of their name. \u003c/p\u003e\r\n\u003cp\u003ePlease use the following formatting when citing the interview in academic settings:\u003c/p\u003e\r\n\u003cp\u003eBibliography Example\u003c/p\u003e\r\n\u003cp\u003ePegues, Janetta Sue. Interviewed by Francesco De Salvatore. National Public Housing Museum Oral History Archive, [insert URL], recorded June 18, 2018, accessed June 2, 2024: pp. 10-15.\u003c/p\u003e\r\n\u003cp\u003eBibliography Format\u003c/p\u003e\r\n\u003cp\u003e[NarratorFullName in Last, First Middle order]. Interviewed by [InterviewerFullName in First Middle Last Order]. National Public Housing Museum Oral History Archive, [insert URL], recorded [write out full date of interview], accessed [write out full date of most recent access]: pp. [pages of transcript cited]. \u003c/p\u003e\r\n\u003cp\u003eFootnote Example\u003c/p\u003e\r\n\u003cp\u003eJanetta Sue Pegues, interviewed by Francesco De Salvatore, National Public Housing Museum Oral History Archive, [insert URL], recorded June 18, 2018, accessed June 2, 2024: pp. 10-15. \u003c/p\u003e\r\n\u003cp\u003eFootnote Format\u003c/p\u003e\r\n\u003cp\u003e[NarratorFullName in First Middle Last Order], interviewed by [InterviewerFullName in First Middle Last Order] National Public Housing Museum Oral History Archive, [insert URL], recorded [write out full date of interview], accessed [write out full date of most recent access]: pp. [pages of transcript cited]. \u003c/p\u003e"]}}],"summary":{"en":["\u003cp\u003e\u0026nbsp;In this oral history, Liz recalls her experience growing up in the Cabrini Green row houses with what she calls a \u0026ldquo;Brady Bunch\u0026rdquo; type family, consisting of five siblings and her two parents. She recalls a plethora of positive experiences, including tennis tournaments with her best friend and her burgeoning love for music through family and joining band. In awe of her mother\u0026rsquo;s beauty and smarts, Liz decides to become the smartest in the room, diving deeply into her education and fostering relationships with her teachers who help her see the world through a larger lens. Liz puts emphasis on how living in public housing played the biggest role in her successes today, naming her \u0026amp; her husband\u0026rsquo;s business after the street they grew up on.\u003c/p\u003e"]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["\u003cp\u003eEach oral history interview is considered to be co-created, \u0026lsquo;joint work\u0026rsquo; among the oral historian, narrator, and, in this case, the National Public Housing Museum.\u003c/p\u003e\r\n\u003cp\u003eNPHM manages the components of copyright (reproduction, distribution, adaption, performance, and display) using Creative Commons Licenses. Most interviews are shared with Attribution and Non-Commercial 4.0 International licenses (CC BY-NC 4.0 Deed), meaning that they can be reproduced, distributed, performed, and displayed for the general public IF the user:\u003c/p\u003e\r\n\u003cp\u003eCredits the co-creators (Attribution), and\u003cbr /\u003eDoes not make money from the usage (Non-Commercial).\u0026nbsp;\u003cbr /\u003eNarrators also have the option to apply a No-Derivatives License to their interview(s), meaning that the public is forbidden from adapting the work. These works are published under an Attribution-NonCommercial-NoDerivs 4.0 International license (CC BY-NC-ND 4.0 Deed).\u003c/p\u003e\r\n\u003cp\u003ePlease contact the NPHM Oral History Programs Manager if you are interested in downloading a copy of any of the interview materials (audio file, transcript, or finding aid contents).\u003c/p\u003e\r\n\u003cp\u003eNote that the final decision about whether to share downloadable copies and whether to allow usage remains with the narrator.\u0026nbsp;\u003c/p\u003e"]}},"provider":[{"id":"https://nphm.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["National Public Housing Museum"]},"homepage":[{"id":"https://nphm.aviaryplatform.com/","type":"Text","label":{"en":["National Public Housing Museum"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/548/original/OHA_Mark_2.0_Transp._copy.png?1752767076","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/306/729/small/OneGoal-2015-Graduation-Gala_Liz-2-High-Res-770x513.jpg?1774636455","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://nphm.aviaryplatform.com/collections/2733/collection_resources/168645/file/306729","type":"Canvas","label":{"en":["Media File 1 of 1 - Thompson__Liz_Interview_Audio_2017.05.02.mp3"]},"duration":2683.30231,"width":640,"height":40,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/306/729/small/OneGoal-2015-Graduation-Gala_Liz-2-High-Res-770x513.jpg?1774636455","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://nphm.aviaryplatform.com/collections/2733/collection_resources/168645/file/306729/content/1","type":"AnnotationPage","items":[{"id":"https://nphm.aviaryplatform.com/collections/2733/collection_resources/168645/file/306729/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-nphm.s3.wasabisys.com/collection_resource_files/resource_files/000/306/729/original/Thompson__Liz_Interview_Audio_2017.05.02.mp3?1774568267","type":"Audio","format":"audio/wav","duration":2683.30231,"width":640,"height":40},"target":"https://nphm.aviaryplatform.com/collections/2733/collection_resources/168645/file/306729","metadata":[]}]}],"annotations":[]}]}